throwing peas

Miss you every day, Val. The thought of you is so often suddenly just there, like when the radio tuning veers slightly and starts pulling in voices from the next nearest station. Here’s me living life the way life looks now, and then suddenly there’s you. Three years in, it still happens all the time.

I miss talking it all over with you.

I got some English peas this week and winged them around the living room for our disreputable dog just the way you liked to do. I always liked how it made you laugh and you liked how it made me laugh and we both liked how the dog sprang chaotically from side to side like an outfielder going after bouncy grounders.

Amy’s Mac got his foot stuck in a peanut shell yesterday. You would’ve laughed.

The cottonwood sap is rising.

My broken wrist is slowly healing.

Some things are good, and some things are hard, and none of it’s the same without you.

Happy early birthday, Val G. Wish you were here.

-Deborah

all 50 states

I’ve been thinking a million things today, but I’ll just pick one to share.

In 2004, Oregon passed Measure 36, constitutionally codifying straight marriage. Even after it passed, all over town you’d still see those smugly, defensively righteous “One Man One Woman” bumper stickers and the campaign signs high up on telephone poles. Some weeks after the election Val answered a Craigslist ad from a gay man looking for a lesbian who wanted to buddy up with him and a ladder, going around town pulling down those damn signs. I went with them, and it felt so good, after all the adrenaline and heartache, all the public debate over my worth as a sub-human being, to cruise around in the dark scaling telephone poles and pulling down, over and over, the words that shouted at us all day long that we didn’t count.

No one should get to vote on my worth–or your worth–as an equal human being.
I am so sorry that Val isn’t here today to see this just and Constitutional moment of widening the circle.
I’m so glad that I am.

— Deborah

lowercase grief

I have been having a hard time these last few weeks, feeling anxious and dismal and aimless. Without Val, who was so much my home (can it really have been almost two years?), life often still has a hollow, tinny ring to it. There are days I feel engaged in my life, and other days it feels like a trudge. I went reading some of her words tonight and these two pieces helped my heart a bit.

She is so good at making visible what things feel like – making the emotional muddle take comprehensible shape. These words of hers suit my tiredness right now:

“I want to go someplace that doesn’t require me to build the tracks of every day before I can be out in it.”

Yes.

And this – one of her many moments of grappling doggedly toward beauty and grace in the messy midst of a life that could also feel fractured by cancer:

“my faith is that broken is beautiful when it tells the truth. when it lays the burden down. maybe that is the purpose of death in us. to remember to give up trying sometimes. stop holding up and holding on. that is the tension. the trick is to know when and how much.

I miss her always.
I’m trying to remind myself that broken is beautiful when it tells the truth. That grief and confusion give me an opportunity sometimes to just be a mess, and that being a mess can be a place of human connection, or just plain human-ness.

I’m having a hard time trying this month. I guess I’ll try to make room for myself to give up trying, to stop holding up, sometimes. I was more fluent at that in the earlier days of grief. I would dissolve, regularly – it wasn’t something I had to make space for, it just happened, like it or not. Now I’m so basically functional and often even vivid that maybe I need to make a conscious choice to make room for just being a confused mess sometimes. To give myself that gift, that grace.

I’m still shy and tender, and sometimes pissed off, and yet I think I have to remember to be visible, more. It was easier to be visible when my grief was all in capital letters – it was easier to identify big chunks of it to hold up to the light, and also it was just pouring off me in all directions. Now it’s harder to pinpoint, and therefore harder to get a grip on, to share. And without Val, and without sharing the grief (much), I do often feel lonely. Maybe y’all do too.

– Deborah

faces I wanted to show Val

When I saw this photographic series — annual portraits of four sisters over forty years — my immediate impulse was to show it to Val.

As I scrolled, rapt, through the years, I thought how she would be drawn to these candid gazes and changing bodies, and the love these women appear to share over an amazing forty years of portraits.

A small sensation of holding my breath moved with me through the photos, a ginger anticipation that one of the sisters, one year, would not appear. But there they all were again, for forty long years so far. Knowing nothing about the texture of their lives — the heart necklace, the gazes fierce and quiet, the drawing apart and together — I still felt a small pop of relief and gladness at the intactness of the foursome in every new photo. I kept thinking how lucky these women have been to have, so far, their whole tribe, year after year.

– Deborah

reading Mary Oliver

Val, today I am reading Mary Oliver poems. They make me ache. I ache anyway, so I guess you could say they amplify the ache. They make it deafening, like the frogs croaking outside our apartment after a rain.

This is the hardest, darkest time and if I was with you, talking, I would unwrap it all. With your big eyes taking me in. And as you listened, making me precious, it would all become funny and sensual and special.

I can barely wait until the buds burst open. Read “Dreams” by her today. It is speaking to me of promise. Of being unwrapped and the blossoms of this journey finally blossoming.

I miss you so damn much, missing you makes me so sad. Sad as a country song or a moan.

– Marcela

Casual sacredness

If you’re reading this, you likely already know this, but this week was the one-year anniversary of Val’s death. A couple weeks before, I had the space and quiet to be present with this, but on the actual day I was working, crashed full-force back in after vacation.

It hadn’t even occurred to me to try to take the day off, months before, when I would have had to decide and block the time. So, of course, I was travelling.

I’d been reading about friends marking the day, looking at pictures, and thinking, what will I do? And trying not to panic about the fact that I didn’t think I could even smuggle a candle and lighter with me in my luggage, or into the hotel (worries of smoke detectors). That I would do nothing, and that felt so wrong. Reminding myself I can’t do this wrong.

That day was endlessly long – meeting after meeting, ending with a work dinner that was almost three hours. I finally collapsed into my hotel room and all I could manage was to raise my bottle of water in a toast to her, before I went to bed. A poor ritual.

Later in the week, we suddenly had an extra hour between meetings, and my colleagues offered to take us up to the top of Cerro San Cristobal, a place that as we wound higher and higher above the city of Santiago, reminded me of a much bigger Mt. Tabor. We paused for pictures, and I thought, oh, Val, you’d love this place. Look out! Look at the mountains…

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And there was (of course) a virgin, higher still, the virgin Inmaculada Concepcion. Let’s go up, enthused my colleagues, and I trudged up the stairs after them, taking pictures, loving the cold, my breath visible.

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While they stood under the statue and took photos, I wandered to look at signs, in this outdoor church (pews and all, roped off “sanctuary” where only certain people can go), feeling as I always do in situations where I witness artifacts of organized religion, an anthropologist. I rounded a corner, and found this

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It’s hard to explain my surprise. It had been raining, and was cold, and we were outside, on the top of a hill. I realized after the fact that this is part of the regular ritual of these churches, and this one happened to be on a Cerro, under the sky, without walls.

It felt like such a perfect place to light a candle for Val, and I walked closer, wishing I could. There were candles that had fallen below the others, and many candles burning, and no one else around. I picked one up, lit it, and melted its base so it would stick, under that sky, on that hill, for Val. It is one of these, burning here in this photo.

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Serendipitous. Casual sacredness. A way to pause. In the midst of all my crazy intense work world, somehow I walked right into what I most wanted, a moment to think of Val with some ritual. I lit the candle, took photos of the lovely place, and then scrambled back to my colleagues so they wouldn’t come upon me in this moment, that was mine. And Val’s.

a good story, no?

 

This is a test kitchen. Messes are invited.

Hey, I like what Anne Lamott has to say today. Here is an excerpt:

There’s a whole chapter on perfectionism in Bird by Bird [her book about writing], because it is the great enemy of the writer, and of life, our sweet messy beautiful screwed up human lives. It is the voice of the oppressor. It will keep you very scared and restless your entire life if you do not awaken, and fight back, and if you’re an artist, it will destroy you.”

The rest of the essay says, essentially: Go for it. Live your life messily and boldly and now.

Like my choir director says, when encouraging us not to be tentative but to commit to the joyful song: Make mistakes loudly!

Like Val said. Like we deeply learned; like we all know, but I at least can’t always figure out how — or where, maybe — to plunge in the way I want to.

I’m sticking this up here off the top of my head because I really do want this blog to be a test kitchen, a workshop, a safe place to be imperfect. There is beautiful writing on this blog. There can be slapdash writing here too, and scrawled rough drafts of ideas. Half-baked notions. Snippets and snapshots. Why not? This is a place for figuring out life. And that’s the other reason I’m posting this, because Lamott’s essay rang true for me this morning, as here I am on my year off, in the midst of actively flailing around, trying to sort out what feels most vital in my life. So I thought I’d share it with y’all.

Anne Lamott’s whole essay is here, and here is one more excerpt:

Oh my God, what if you wake up some day, and you’re 65, or 75, and you never got your memoir or novel written; or you didn’t go swimming in warm pools and oceans all those years because your thighs were jiggly and you had a nice big comfortable tummy; or you were just so strung out on perfectionism and people-pleasing that you forgot to have a big juicy creative life, of imagination and radical silliness and staring off into space like when you were a kid? It’s going to break your heart. Don’t let this happen. Repent just means to change direction–and NOT to be said by someone who is waggling their forefinger at you. Repentance is a blessing. Pick a new direction, one you wouldn’t mind ending up at, and aim for that. Shoot the moon.”

I’m trying to be intentional in picking some new directions, but I’m also trying not to get hung up on making the perfect decisions. I’m increasingly aware that there aren’t any. And whenever I try something a little daunting; whenever I say, Oh well, that could have gone better; whenever I’m kind and encouraging to my little human self, I can practically hear Val cheering me on. Good job, bub! Fifty points!

When you play Hearts, there’s a moment when you look at your pretty-okay cards and you don’t have a whole lot of time to decide, What the heck! I’m gonna try to shoot the moon. It’s audacious and fun. Sometimes it works out. Either way, it’s exhilarating.

Deborah

volcano and ashes

I was in one of my favorite places, a few days ago, the Arenal Observatory Lodge inside the Arenal Volcano National Park in Costa Rica. An amazing place, on the edge of the rain forest, on a ridge looking down a gradual drop to Lake Arenal, and on the other side, the massive, sacred mountain.

Sitting on the balcony, nothing to do but look through binoculars and flip through the big Costa Rican bird book for hours.

Walking in the forest in the rain, hood up, misty, steamy green, watching Jaki’s face change in that place, as she returned to the forest.

Eating delicious Costa Rican food in the evenings at the lodge, candle light and wood, watching the clouds move shadows across the mountain, talking together.

The windows and doors open all night, beetles and moths bouncing off the screens. Hearing monkey sounds before I opened my eyes in the morning.

I would have loosed Val’s ashes in that place, had I been travelling the world with her bits and pieces. As it was, I tried to let some psychic bit of her float away in the wind there. I think she would have liked her ashes mixed with that massive mountain. Birds of ridiculous colors (if you’re from Alaska, Montana), turquoise, yellow, orange, blue and red. Predatory birds flying high. Swallows eating flies at dusk, darting past. Sounds of frogs, bugs and birds, day sounds and night sounds. Rain and wind that moves in gusts through the canopy, that you can hear before it reaches you.

A sacred place, a beautiful place.

As the sun came up on the second day, I wrote in chalk on the balcony for Val, the song in my head. Laurie Anderson. She always teased me with that line, thinking I wouldn’t know the next, and I always did. I loved that music before I knew Val. She was always surprised. I earned many a point that way.

Almost one year on now, from when she died. More than one year now, from when I saw her last, held her last. Still miss her every day. But so glad she went to the volcano with me.Arenal flank

A Year and a Blink of the Eye

In a minute I will get to the dream Deborah asked me to share here, which is an honor.

First I need to revisit this day last year- in which we were in Montana, getting ready for Betty’s funeral.  What to wear, what kind of flowers to send, who needs a ride, what needs to be delivered to the church, what needs to be delivered to the Garrison house, what to cook, what were others cooking so there wasn’t too much of one thing.  This is how a small town prepares for a funeral.  And many other events, for that matter.  Most people know whose role it is to make the pies with the best crust, the green bean casserole with the crunchy topping, or the taco casserole everyone loves.  And this is a good thing, because it is my firm belief that church-lady pies and casseroles are part of what holds the world together.  Even if you don’t go to that church, or any church, for a short time you help make and deliver the church lady pies and casseroles, because this is what the people need.  They need the tables laid out with all these hand made dishes, lovingly made by people who know each other and want to help each other. They need the church ladies’ soothing presence in the church kitchen- warming things in the ovens, removing tupper-ware lids, carrying large quantities to the tables, replenishing the coffee pots.

At the reception of Betty’s funeral, I would share a last church-lady-casserole meal with Val.  And Deborah would get her some more jello because not much else was easy for her to swallow.  Jello is part of church-lady meals as well.  Along with potato salad, macaroni salad, lots of coffee, bundt cake, brownies and a cake that I just know has jello in it.  And I knew-and-didn’t-know that this was our last meal together, around the table of the Baptist church Val’s family has attended for years. This is what’s been on my mind as I read other recent posts from Val’s beloved people about food memories and Val’s birthday cake. And one year ago this last Wednesday her lovely Mama departed before her.  A year, and a blink of the eye.

Few funerals have made me weep as much as that day at Betty’s.  Not as much in grief for Betty, as for Val.  I loved Betty and was sad that she passed- in that way that is so hard to say goodbye to someone who has just simply been there your whole life. But I also knew she had lived a full and long life.  The progression of aging and nature makes sense to most of us.  The grief I was not prepared for was what hit me when I saw Val.  I was looking for someone who was standing up.  When her brother Brad waved me in her direction, I was not prepared for the woman in the wheelchair, with the oxygen tank, and the thin body, who was so obviously dying. I hadn’t seen her since July, when she had still been standing and walking.  At that time I knew-and-didn’t-know that she was dying.  It just wasn’t so damn obvious.  So in July my brain was still holding out some tiny bit of denial and hope.  In April the denial and hope shattered into uncountable pieces at her mother’s funeral.

Wisely, my own mother chose a bench at the very back of the church, near the door, for the funeral service.  Where I sat weeping non-stop until the service was over and I could dash out the door and privately pull myself together outside.  When my mom found me I simply said, “This is about Val” and she said “I know”.  Because of course she’s known both of us our entire lives.  Pulled back together, we went inside for the reception.  Mom found Val, kissed her on the forehead and said “You are beautiful”.  Then we all sat and shared our love and grief and church-lady casseroles.

A few days later I would walk from our ranch to Garrisons’ ranch- which I have walked so many times- and sit in a back bedroom, having my last conversation with Val.  We chatted, we had quiet moments staring out the picture window at the apple trees and garden.  We talked about our mothers, about how nothing is permanent.  About poetry, and one specific line referring to death as “that time of parting for which we are never sufficiently shored”.  We talked about death and goodbyes. At some point Val waved her hand toward the window.  “When we were kids, running around all over out there, what do you think we would have done if we could have seen all this coming?”  “Christ” I said (in a not-very-church-lady-like way) “I’m so glad we didn’t.  I would have been on my knees in the hayfield with grief.  I’m so glad we just got to be kids and not even have these thoughts in our heads.”  “Yes” said Val simply, nodding her head. “Yes.”  And we would talk more about goodbyes to family members, each other, and the strange movement of time and impermanence- how it’s never really in our grasp.  A year and a blink of the eye.

I didn’t cry as much that day- which seems odd considering the intensity and topics of our conversation.  But somehow it was easier to have that conversation directly with her than to have to stand amongst a lot of other people and try to put on a good face.  In the following few weeks leading up to Val’s death I would take to allowing deep grief wash over me when I showered in the morning.  Sometimes hanging onto the wall with deep sobs and grief-sounds coming from the back of my throat that I didn’t want anyone else to hear. And if I stepped out of the shower with a wet face and red eyes, no-one noticed because showers do that.  I wanted to protect the other members of my household from that intensity, which is a funny way that we protect our loved ones.  And that I know Val had versions of doing that too- of not wanting to worry or hurt others with her own illness and death.  She held onto life long enough to protect her mother from the grief of losing a daughter.

And in a few short weeks it will be one year-to-the-day Val died.  And I don’t know yet what I will do that day.  I don’t know what any of the rest of you will do.  But I know that all of her loved ones will feel it.  And it will feel like a year and a blink of the eye.

Which brings me to the dream that I had recently.  To be exact, a year-to-the-day before Betty died.  Speaking of many shiny crows:

I’m walking on the ranch on a nice sunny day, having just passed through the old wooden gate from the barnyard into my grandparents yard.  Off in the distance toward the mountain foothills I can see some crows flying, which of course instantly and always brings Val to mind.  The crows begin to fly closer to each other and grow in numbers. Then they grow so thick it’s like an enormous blanket of crows woven together, and I can hear the wind moving through their wings as they come nearer to me. Many shiny crows. They form a swooping rectangle, curve down from the sky and pick me up! I am terrified of heights, and even in my dream I keep waiting for that fear to hit me as they carry me higher. But it never does. Somehow as they lift me by the clothing around my arms and shoulders, I feel completely safe as they carry me over trees and hills, seeing this gorgeous view of everything. Over our ranch, over the Garrison ranch, up the side of Ksanka mountain and back down. Eventually they start to disperse in small groups, until just a few are left and they lower me gently onto a sidewalk. And two stay with me, tucking themselves, one under each arm, and we stroll down the street as happy and content as beings can be. So- dear Val and dear Betty, if that was you- thank you. It is a gift I will always cherish.